We are already here
No car train, no overnight stay, no journey home. One call and we are on our way, in the evening and at weekends too when the story demands it.
TV crew and news footage from Sylt
Not in four hours. Our TV crew lives and works on Sylt, keeps the kit in the car and knows every road. For newsrooms that means no crew sent across the Elbe, no hotel to book and no broadcast slot lost to travel time.
Available outside office hours too · Same day footage delivery possible
Hamburg to Westerland takes around four hours, including the car train across the Hindenburgdamm causeway, which runs to a fixed timetable. If you only set off when the news breaks, you film in the evening what happened at lunchtime.
No car train, no overnight stay, no journey home. One call and we are on our way, in the evening and at weekends too when the story demands it.
Where to park, whom to ask, where the sun is at six and who will talk on camera. Local knowledge saves more time than any piece of kit.
All shots cut together in one video, graded to Rec. 709, audio levelled, if your newsroom edits in house. Or the finished package from us.
Both events were picked up nationwide by BILD, FOCUS online and ZDF. The first Sylt news footage came from us.
3:59
Breaking news · 3 June 2026
Shooting on Strandstraße, Sylt
Live from the scene
Collapse on Sylt: what happened?
4:53
Background · two days later
Crumbling buildings? Behind the collapse
Both stories then ran nationwide: the shooting on BILD with more than 67,000 views and on FOCUS online with almost 19,000, the roof collapse on ZDF. In exactly this window, between the first report and the broadcast, newsrooms lack pictures from the island. That is the gap we close.
A camera crew on Sylt, from the first soundbite to the package ready for air.
Some broadcasters only want the pictures and do the rest themselves. Others want the finished package. Both work, and you decide per job, not per contract.
Three completed long formats between seven and twenty one minutes, researched, shot and edited in house. For broadcasters this means we can follow a story over months without anyone constantly having to come to the island.
If your newsroom wants to keep authorship, we provide camera, sound and the part of the research that needs local knowledge. If you want a finished format, we deliver it complete.
We can also air stories on the island via the TV Sender Sylt1 slot. That increases reach without you having to give up any rights.
No setup that takes half an hour. The kit is chosen so that an editor can watch along while we film and so that the soundbite is right first time.
Camera and stabilisation in one. No separate gimbal, no rigging changes between shoulder and tripod, which saves the very minutes that are otherwise missing on location.
On the gimbal as a second perspective, for interview reverse shots and for details from a distance when you cannot get any closer.
Clipped on in seconds instead of setting up a boom. Clean soundbites even in the wind, separate tracks for each speaker, so nothing needs fixing in the edit.
Remote pilot certificate, flight permit and access permits are in place. Where flying is not allowed, we tell you beforehand and solve the shot another way.
Codec, resolution, frame rate, colour space, loudness to EBU R 128, file naming, audio track layout: tell us beforehand what applies at your end and we deliver exactly that. If we do not know your specifications, we deliver to common standards: Rec. 709, levelled audio, one continuous video. When in doubt, ask once too often. Redelivering in another format is possible, but it takes time that nobody has with breaking news.
The difference rarely lies in the day rate. It lies in everything around the shoot when a crew from outside has to get to the island.
Then we are still here. A pickup shoot the next day, an extra soundbite, a shot in better light: for us that is a short drive, for a crew from the mainland a new shooting day with everything that comes with it.
Call, shoot, delivery.
Topic, required length, deadline and technical specs. We tell you straight away whether and when we can do it, no callback the next day.
immediatelyWith breaking news we set off while we are still on the phone. For planned stories we agree contributors, locations and permits in advance.
within one hour for breaking newsIf you wish, your editor watches live via wireless video and tells us what else is needed, as if they were there. That saves the follow up request in the evening.
1 to 4 hours, depending on the storyAll shots cut together in one video, graded to Rec. 709 and with audio levelled, plus shot list and soundbite transcript, via cloud or FTP. Or we edit and deliver ready for air to your specifications.
footage the same day, package as agreedWhat newsrooms want to know.
For breaking news, better give us a call: we will be on our way before the email is read. For planned stories, the form is all you need.
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